It was a cold, dark February Saturday night in New York City. I was spending
more time there than I wanted to, working on the company annual report. It was
one of the big responsibilities of my new corporate job. I had talked to
Jane, as I did every day I was gone, and now wondered what I would do for
dinner. Walking around Manhattan is the only way to go. It’s an amazing city. I
was getting to know it only too well, making weekly trips for months on end.
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He told me people were lining up and there was a long
waiting list but he would make a call and try to have my name added. The
line was indeed long. It was all the way around the corner across from Radio
City Music Hall and, at first, that discouraged me. I walked past the line and
went to the reception desk. I told the Page there that I was a guest of
my friend’s brother. She said that they had my name but I would have to wait
over to the side near the elevators.
Soon the line began to move. Elevator after elevator
shuttled the masses up to the studio. I had just decided that I was being left
in the dust when the Page came over and said, “Quick, catch that last elevator!
The producer has your name and he’ll introduce you around backstage. There are
no audience seats left.” Who am I to question why? I squeezed through the door
just as it was closing.
The elevator opened to controlled chaos. People with
headsets running everywhere. A short guy with long hair in a sportcoat came up to me and said, “Hi.
I’m Lorne. So you know Joe.” “Yes,” I said, “he’s the brother of one of my best
friends.” “Great guy,” he said, “Say hello to Chevy Chase. Let me see if I can
find you a chair. Things are pretty hectic right now”
Chevy said that rehearsal a couple of hours earlier had not
gone well but some changes had been made and things should be back on track. Lorne (Michaels, of course, now producer emeritus after all these years) appeared with a metal folding chair and said, “Sit anywhere you want that’s out
of the way. You can meet everyone after the show.”
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The 90-minutes went by in a flash…but then, after the now-traditional group hug on stage at the end of the show, which actually took place
backstage then, Lorne came up and told me to join in and meet the gang. I don’t
think they knew that they were creating a staple of American life, generating
catchphrases for generations and producing many of the greatest comedic talents
that our country has ever seen. Belushi was cracking everyone up and Gilda,
still in her Emily Litella garb from the news, was making sure that each cast
member received her admiration and approval.
I’m glad that I didn’t go out to dinner that night. At about 2 am, I picked up my favorite pastrami and chopped liver sandwich and a Dr. Brown’s crème
soda from the Carnegie Deli, went back to my hotel room and just thought about the
experience. It was new. It was exciting. It was funny. They were even so far ahead of the curve that they depicted a lesbian wedding between two movie actresses to end the show. Sometimes now I think it
would have been great to have had a phone with a camera…but when I think more about it, I feel
like it would not have been the same indelible experience with today's technology. It was truly an "acoustic" evening. For sure, I
have to count it as one of my all-time favorite “brushes with greatness”.
Dan, you must publish your phenomenal memories in a book. I'll be the first to buy!
ReplyDeleteGreat Story Dan!
ReplyDelete